Ghost Power’s Tim Gane tunes in to the quick-fire question machine
Where are you right now and what can you see? “I’m at home in Berlin sitting at the…
Dauw
Location: Ghent, Belgium Est: 2014 Potted History: “The label was founded by visual artist Femke Strijbol and I,”…
Rupert Thomas
Erasers’ Rupert Thomas on the first and last records he bought, and his go-to album First SILVERCHAIRFreak ShowMURMUR,…
Lucrecia Dalt ‘The Seed (Original Score)’ (Invada)
Since emerging in 2005, Colombian musician and singer Lucrecia Dalt has become increasingly left-field with each release. A…
Heldon ‘Antelast’ (Bam Balam)
Between 1974 and 1978, Richard Pinhas pioneered new possibilities in sound with his band Heldon, fusing nascent electronic…
David Lee Myers ‘Xenography’ (Pulsewidth)
The term xenography is apparently verbalisation in a language unknown to the speaker, and this album from New…
Ghost Power’s Tim Gane tunes in to the quick-fire question machine
Where are you right now and what can you see? “I’m at home in Berlin sitting at the…
Brown Fang ‘Sherwood Pines’ (NuNorthern Soul)
Blissful, elegant instrumentals from a new Nottingham duo. Underpinned by cyclical electronics, Henry Scott’s crystalline guitar weaves arabesques,…
Gaudi ‘Sub Signals Vol 2’ (Dubmission)
Fifteen years after his first ‘Sub Signals’ compilation for the cult Canadian label Interchill, London dub maestro Gaudi…
James Heather ‘Invisible Forces’ (Ahead Of Our Time)
Many a promising new artist’s potentially difficult second album is billed as “highly anticipated”, but James Heather’s ‘Invisible…